Painting “Shimmering Solitude,” step 7

Step 7

Shimmering Solitude, 6x6, oil on canvasPainting “Shimmering Solitude,” step 7: I slowly worked up the reflections, and enhanced all areas of the painting a bit. It’s done! I’ll upload a much better picture once the paint dries a bit more. I just wanted to make sure I completed this step-by-step series.

It’s also available. Just drop me a note if you are interested. Thanks for reading!

What do you think? Let me know in the comments below!

Painting “Shimmering Solitude,” step 6

Step 6

Oil Painting WIP, Shimmering Solitude, artist Michael BrughPainting “Shimmering Solitude,” step 6: I accentuated the darks, and I have begun defining the bow by adding some contrast in the harbor. Keeping it loose, I dabble some general shapes into the horizon below the skyline. Next, I will get serious about the reflections (one of my favorite subjects to paint).

How am I doing? Let me know in the comments below!

Painting “Shimmering Solitude,” step 2-5

Step 2

Painting “Shimmering Solitude,” step 2: I’ve added a light wash of cadmium yellow, mixed with a small amount of cadmium red tones the painting. I will follow it up by lightening the sky next.


Step 3
Step 3

Step 3 of my painting “Shimmering Solitude.” I have added a bit of light to the sky and the water reflection, using Permalba white.


Step 4

Step 4, “Shimmering Solitude.” Working in a few details, I’ve mixed up some gray using pthalo blue along with cadmium orange, and now, adding more detail to the sides and shadows.


 

Step 5

Step 5, “Shimmering Solitude.” Working in some color, I place cadmium red along the superstructure, and deepen some of the shadows.

Of course, the color selection is totally arbitrary; the original had a slightly different color scheme. Artistic license, you know. 🙂

What do you think so far? Let me know in the comments below!

Painting “Shimmering Solitude,” step 1

Shimmering Solitude, 6x6, sketch
My new 6×6 painting, “Shimmering Solitude,” begins as a sketch on canvas.

Step 1

This is the initial sketch on a 6-inch by 6-inch canvas. I decided to use the grid method to place the commercial boat on the 6 inch by 6 inch canvas.

The painting will depict a working boat, docked at the end of the day after a productive day on the job, providing jobs and food for their families and customers.

What are your thoughts? Let me know in the comments below!

 

On the drawing board: Freda (update 6)

Michael Brugh's graphite drawing of Freda the cat, update number 6.
The blinds are now finished, and the shadows are developed on the window frame at the right. The illustration board I am using is helping to create its own texture.

Sorry I neglected to give you some attention on the blog, Freda. 🙂
Although I like the texture that my illustration board is producing, I am interested in using another paper texture for my next graphite drawing. J. D. Hilberry recommends Arches 140-lb. hot press watercolor paper. He says to use the reverse side of the watermark.

Daily Sketch (4-4-0 Steam Locomotive) update 5 (Finished!)

Michael Brugh artist. 1860s steam locomotive
My fifth and final update of my sketch of an 1860s-era steam locomotive, 4-4-0 configuration. © 2015 Michael Brugh

My fifth and final update of my drawing of an 1860s-era steam locomotive, 4-4-0 configuration. I am excited that a revival of sorts has been taking place in restoring some of these workhorses of our country’s past. The Leviathan, number 63, is one of these projects I have been following. In fact, I modeled this drawing after it.
David H. Kloke has lovingly created this locomotive over a 10-year period. From his website:

Of David’s many accomplishments through the years, the Leviathan63 is his pride and joy. His “hobby” took him 10 years to create and it “WOWS” everyone who sees and hears it. The Leviathan63 is truly a beautiful sight!

With the help of many a non-profit organization has been created named Historic Railroad Equipment Assoc. Through donations he hopes to rebuild and replicate several historic railroad equipment for educational purposes. He can make this possible with donations from people like you.

Here is video of no. 63, the Leviathan:

Daily Sketch (4-4-0 Steam Locomotive) update 4

My fourth update of a drawing I am working on of an 1860s-era steam locomotive, 4-4-0 configuration. Michael Brugh, artist.
My fourth update of a drawing I am working on of an 1860s-era steam locomotive, 4-4-0 configuration.

My fourth update of a drawing I am working on of an 1860s-era steam locomotive, 4-4-0 configuration.

Daily Sketch (4-4-0 Steam Locomotive) update 2

Artist Michael Brugh's pencil sketch of a 4-4-0 steam locomotive, circa 1860s. Update number 2 of a work in progress.
Pencil sketch of a 4-4-0 steam locomotive, circa 1860s. Update number 2 of a work in progress.

My update of a drawing I am working on of an 1860s-era steam locomotive, 4-4-0 configuration. I began defining the cowcatcher, headlamp and funnel, blending each with a combination of a 2B pencil, a 2H pencil, and a 6B pencil. I am not really a big fan of blending stumps, although I have used them in the past. I will probably use them again when I work on my series of portraits I have planned.