Painting “Shimmering Solitude,” step 7

Step 7

Shimmering Solitude, 6x6, oil on canvasPainting “Shimmering Solitude,” step 7: I slowly worked up the reflections, and enhanced all areas of the painting a bit. It’s done! I’ll upload a much better picture once the paint dries a bit more. I just wanted to make sure I completed this step-by-step series.

It’s also available. Just drop me a note if you are interested. Thanks for reading!

What do you think? Let me know in the comments below!

Painting “Shimmering Solitude,” step 6

Step 6

Oil Painting WIP, Shimmering Solitude, artist Michael BrughPainting “Shimmering Solitude,” step 6: I accentuated the darks, and I have begun defining the bow by adding some contrast in the harbor. Keeping it loose, I dabble some general shapes into the horizon below the skyline. Next, I will get serious about the reflections (one of my favorite subjects to paint).

How am I doing? Let me know in the comments below!

Painting “Shimmering Solitude,” step 2-5

Step 2

Painting “Shimmering Solitude,” step 2: I’ve added a light wash of cadmium yellow, mixed with a small amount of cadmium red tones the painting. I will follow it up by lightening the sky next.


Step 3

Step 3

Step 3 of my painting “Shimmering Solitude.” I have added a bit of light to the sky and the water reflection, using Permalba white.


Step 4

Step 4, “Shimmering Solitude.” Working in a few details, I’ve mixed up some gray using pthalo blue along with cadmium orange, and now, adding more detail to the sides and shadows.


 

Step 5

Step 5, “Shimmering Solitude.” Working in some color, I place cadmium red along the superstructure, and deepen some of the shadows.

Of course, the color selection is totally arbitrary; the original had a slightly different color scheme. Artistic license, you know. 🙂

What do you think so far? Let me know in the comments below!

Painting “Shimmering Solitude,” step 1

Shimmering Solitude, 6x6, sketch

My new 6×6 painting, “Shimmering Solitude,” begins as a sketch on canvas.

Step 1

This is the initial sketch on a 6-inch by 6-inch canvas. I decided to use the grid method to place the commercial boat on the 6 inch by 6 inch canvas.

The painting will depict a working boat, docked at the end of the day after a productive day on the job, providing jobs and food for their families and customers.

What are your thoughts? Let me know in the comments below!

 

Invisible Progress (Jack White)

Master artist Jack White imparts some sage advice while reminding us that progress often occurs even when you least detect its presence.

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Invisible Progress

by Jack White

Practice doesn’t make perfect. It takes perfect practice to see improvement. […] 

Read the rest of this article at:
http://faso.com/fineartviews/86605/invisible-progress

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This excerpt appears courtesy of FineArtViews Art Marketing Newsletter by FASO,
a free email newsletter about art, marketing, inspiration and fine living for artists,
collectors and galleries (and anyone else who loves art).



For a complimentary subscription, visit: http://www.faso.com/art-marketing-newsletter

———————————————– 

Are you improving on nature, or honoring her?

Keith Bond of FASO reminded me of an aspect of painting I am just now realizing: Favorite locations in nature can be changed or altered as you paint them. I have often viewed a a scene in nature that I thought was a perfect painting, except for this tree, or that pond. Or maybe I said to myself, “A pond in that area would make this scene so much better.” What I am now realizing, is that I was exercising a natural function of we artists. Keith Bond has described the process in his article “Show Me Your Relationship with Her.”

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SHOW ME YOUR RELATIONSHIP WITH HER
by Keith Bond
How close you stay to (perceived) reality and how much you deviate and create something entirely new is completely up to you. But don’t be so tied to a literal depiction that you fail to see the possibilities of improving upon the design you see in nature. […]
Read the rest of this article at:
http://faso.com/fineartviews/57260/show-me-your-relationship-with-her
———————————————-
This excerpt appears courtesy of FineArtViews Art Marketing Newsletter by FASO,
a free email newsletter about art, marketing, inspiration and fine living for artists,
collectors and galleries (and anyone else who loves art).
For a complimentary subscription, visit: http://www.faso.com/art-marketing-newsletter
———————————————–

Artists, Don’t Give Up

Rock Climbing

We artists go through periods of self-doubt and discouragement, especially when it seems nobody wants to purchase our art. We all know admirers who tell us that our work is very good (but they wouldn’t dare buy anything from us!). Artist Jack White always inspires with his Texas straight talk and razor-sharp wit. Here is an excerpt from his latest article. I hope it inspires you to stay tenacious and everlastingly at it, when it comes to achieving your breakthrough.

 

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Rejection

by Jack White

Whiteism: Rejection can be painful, but never fatal.

The single most powerful reason artists fail is FEAR of rejection. It’s impossible to be an artist and not experience rejection.

When I started writing I knew I would face multiple rejections. I remember reading the story of crime novelist John Creasey. John set a record of 742 successive rejection slips in a row before he was ever published. John received 500 more rejections than Stephen King before he was published. But once John’s first book was published, he wasted no time exploding on the market.[…]

Read the rest of this article at:
http://faso.com/fineartviews/54816/rejection

———————————————-
This excerpt appears courtesy of FineArtViews Art Marketing Newsletter by FASO,
a free email newsletter about art, marketing, inspiration and fine living for artists,
collectors and galleries (and anyone else who loves art).

For a complimentary subscription, visit: http://www.faso.com/art-marketing-newsletter

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