My 3 words for 2015

Launch

Chris Brogan has been encouraging his readers and friends to come up with 3 words to describe their goals and intentions during the next year. He cautions against writing out long, drawn-out statements or resolutions, the theory being that we end up making vague statements such as “I am going to exercise more.”

In that light, my 3 words are:

  1. Simplify
  2. Magnify
  3. Multiply

Simplify: Stop expending energy in a dozen different directions, hoping something will stick. Sit down, plan a little, think about what motivates you, fires your passion, and pursue the artists, bloggers, musicians, filmmakers that are doing it the best. Search their “secrets” of success, and begin to develop your own good habits.

Magnify: Once you have settled on your focused goals, magnify your efforts to expose your art, idea, product, song or film to the world. I never gave it much thought to reach out to interior decorators as a source of income from my art, for example. I will now.

Multiply: Once income begins to flow in, double your efforts to provide more of the same art, music, product, coaching, or service to your very loyal fans and clients.

Go be successful!

Companion Cats (calendar)

Face it, our precious cats are more companions than pets to us! They provide love, joy and friendship throughout our time as their cat guardians. I designed this 12-month 2015 calendar, and features contented (maybe even a little spoiled) cats! A portion of all proceeds will be donated to Alley Cat Allies, and to a Jackson County, Mississippi animal foster and rescue group.

A painting without light has no life

Photo Credit: Jack Skipworth via Compfight cc
Photo Credit: Jack Skipworth via Compfight cc



Another gem of an article from artist Jack White. How you paint light can make or break your piece, and quite possibly help your career along the way.

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Sluggish Sameness
by Jack White
I leave you with this challenge. Discover what light can do for your work. Take the dare to shed sameness and climb to the top of the heap. What do you have to lose by trying? You have much to gain. When you are successfully able to work light into your originals you will stand out for exceptional achievement. Believe me, if I can learn then anyone can. […]
Read the rest of this article at:
http://faso.com/fineartviews/67578/sluggish-sameness
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a free email newsletter about art, marketing, inspiration and fine living for artists,
collectors and galleries (and anyone else who loves art).
For a complimentary subscription, visit: http://www.faso.com/art-marketing-newsletter
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Morning vs. evening light

Sunset at the BeachI enjoy the long shadows of both morning and evening. I know that some artists like to paint the cool yellows of morning, but I am leaning more toward Charles Sovek’s preference of evening light. His point?

Warm afternoon sunlight

Moviemakers like to call the late afternoon light “magic time” I call it the best time of the day to paint. Why? Because, to me, the light at this time of day is at its most poetic position. While tints ranging from pink to orange reveal light-struck passages, luminous purples and blues, reflected from the sky, dance in the shadows. The cinematographers are right: Even a depressing slum can take on an inviting, never-never-land quality.

Another bonus of late afternoon light is the fascinating shadow patterns caused by the low position of the sun. While interesting shadows can also occur in early morning, it’s only in the late afternoon that the unbeatable combination of long, revealing shadows and warm, luminous color merge to create the most intriguing effects.

The Impressionists were probably the first artists to take advantage of this magical time of day. Spanish painter Joaquin Sorolla devoted practically his entire life to chasing after these effects. – Charles Sovek, Oct. 1984